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Fire Music
| A1 | Hambone | 12:05 |
| A2 | Los Olvidados | 8:36 |
| B1 | Malcolm, Malcolm, Semper Malcolm | 4:40 |
| B2 | Prelude To A Kiss | 4:41 |
| B3 | The Girl From Ipanema | 8:18 |
Alto Saxophone – Marion Brown
Bass – Reggie Johnson (A1, A2, B2, B3)
Design – Joe Lebow
Design [Cover] – Robert Flynn
Drums – Joe Chambers (A1, A2, B2, B3)
Engineer – Rudy Van Gelder
Liner Notes – Nat Hentoff
Painting [Cover Painting] – Mel Cheren
Photography By [Cover] – Charles Stewart
Producer – Bob Thiele
Tenor Saxophone – Archie Shepp
Trombone – Joseph Orange
Trumpet – Ted Curson
Bass – Reggie Johnson (A1, A2, B2, B3)
Design – Joe Lebow
Design [Cover] – Robert Flynn
Drums – Joe Chambers (A1, A2, B2, B3)
Engineer – Rudy Van Gelder
Liner Notes – Nat Hentoff
Painting [Cover Painting] – Mel Cheren
Photography By [Cover] – Charles Stewart
Producer – Bob Thiele
Tenor Saxophone – Archie Shepp
Trombone – Joseph Orange
Trumpet – Ted Curson
Recorded on February 16 & March 9, 1965.
Archie Shepp plays a Selmer Saxophone.
Inner sleeve is a facsimile of the original 1965 liner notes from Fire Music, A-86.
Archie Shepp plays a Selmer Saxophone.
Inner sleeve is a facsimile of the original 1965 liner notes from Fire Music, A-86.
Barcode – 602577573842
Rights Society – BMI
Rights Society – ASCAP
Matrix / Runout (Side A etched ) – 000602577573842-A 190525E1/A
Matrix / Runout (Side B etched) – 000602577573842-B 190525E2/A
Rights Society – BMI
Rights Society – ASCAP
Matrix / Runout (Side A etched ) – 000602577573842-A 190525E1/A
Matrix / Runout (Side B etched) – 000602577573842-B 190525E2/A