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Symphony Nos. 40 & 41
| Symphony No. 40 In G Minor, K.550 | ||
| 1 | I. Molto Allegro | 7:02 |
| 2 | II. Andante | 13:00 |
| 3 | III. Menuetto: Trio | 3:58 |
| 4 | IV. [Finale] Allegro Assai | 9:07 |
| Symphony No. 41 In C Major, K.551 "Jupiter" | ||
| 5 | I. Allegro Vivace | 10:56 |
| 6 | II. Andante Cantabile | 10:58 |
| 7 | III. Menuetto: Trio | 4:38 |
| 8 | IV. [Finale] Molto Allegro | 10:58 |
Art Direction – Ray Kirschensteiner
Composed By – Wolfgang Amadeus Mozart
Conductor – Sir Charles Mackerras
Edited By – E. Amelia Rogers
Edited By – Elaine Martone
Engineer – Jack Renner
Executive-Producer – Robert Woods
Graphics [Cover] – Nottingham-Spirk Design Associates, Inc.
Orchestra – Prague Chamber Orchestra
Producer – James Mallinson
Technician [Assistant] – Michael Hatch
Composed By – Wolfgang Amadeus Mozart
Conductor – Sir Charles Mackerras
Edited By – E. Amelia Rogers
Edited By – Elaine Martone
Engineer – Jack Renner
Executive-Producer – Robert Woods
Graphics [Cover] – Nottingham-Spirk Design Associates, Inc.
Orchestra – Prague Chamber Orchestra
Producer – James Mallinson
Technician [Assistant] – Michael Hatch
©℗ TELARC
Technical Information
Recorded at the Hall of Artists, Prague on June 12-14, 1986
Microphones: Two B&K 4003
Recorder: Sony PCM 1610 Digital Tape Recorder modified by Tony Faulkner
Console: Neotek, custom-built
Monitor Speakers: B&W 801F Special
Power Amplifiers: 2 Threshold S/1000 Stasis, Series II
Microphone & Interconnecting Cables: Hatachi LCOFC
Digital Editing: Sony DAE 1100
During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any time during production.
Technical Information
Recorded at the Hall of Artists, Prague on June 12-14, 1986
Microphones: Two B&K 4003
Recorder: Sony PCM 1610 Digital Tape Recorder modified by Tony Faulkner
Console: Neotek, custom-built
Monitor Speakers: B&W 801F Special
Power Amplifiers: 2 Threshold S/1000 Stasis, Series II
Microphone & Interconnecting Cables: Hatachi LCOFC
Digital Editing: Sony DAE 1100
During the recording of the digital masters and the subsequent transfer to disc, the entire audio chain was transformerless. The signal was not passed through any processing device (i.e., compression, limiting, or equalization) at any time during production.
Barcode – 0 89408 01392 8
Matrix / Runout – DIDX-000892 5
Mastering SID Code – IFPI L325
Mould SID Code – IFPI 501A
SPARS Code – DDD
Matrix / Runout – DIDX-000892 5
Mastering SID Code – IFPI L325
Mould SID Code – IFPI 501A
SPARS Code – DDD